Alison Rose Parks
Appearance
| Gender | Female |
| Pronouns | |
| Height | 5' 7'' |
| Body Type | Thin |
| Weight | 115 |
| Hair color | Brown |
| Hair length | Long |
| Eyes | Blue |
| Age range | 25-29, 30-34 |
| Ethnic appearance | Caucasian |
| Unions | SAG, AFTRA |
https://www.alisonroseparks.com/
Alison Rose Parks Reel
Film | ||
| BOOKS, BEDS, & BATHS | LEAD | ANTHILL PROD./Dir. Anthony Marinelli |
| ACOUSTIC SPACE *Short Film Corrner, Cannes Film Fest. | LEAD | LULOCO PROD. & PEREGRINE FILMS/Dir. Anthony Marinelli |
| GREEK HONEY | LEAD | PERIVOLARIS PROD./Dir. Victoria Perry |
| COPDOC | SUPPORTING | VERHAEGHE PROD./Dir. Doug Bost |
| THE PARKER | SUPPORTING | HOUSE HEAD PROD./Dir. Victor Verhaeghe |
| THE WEST BEGINS AT FIFTH AVENUE | SMALL SUPPORTING | FIVE POINTS WEST PROD./Dir. D. Gray & K. Schemmerling |
| THE UNBEARABLE WHY | SMALL SUPPORTING | NEW YORK UNIVERSITY/Dir. James Rodenhouse |
| BUTTERSCOTCH | LEAD | NEW YORK UNIVERSITY/Dir. Isabella Danzi |
Theater | ||
| PENTECOST | Gabriella Pecs/LEAD | CHELSEA REP., NYC/Dir. John Grabowski |
| WHISTLE IN MISSISSIPPI | Carolyn Bryant/LEAD | SHADES OF TRUTH THEATER, NYC/Dir. Michael Green |
| RADICAL *Best Play Winner | Martha/LEAD | DOWNTOWN URBAN ARTS FESTIVAL, NYC/Dir. Rebecca Aparicio |
| ACOUSTIC SPACE *Best Play Winner; Best Actress Nom. | Arlene/LEAD | STRAWBERRY ONE ACT FEST., NYC/Dir. Anthony Marinelli |
| WILLING PARTICIPANTS IN THE SEXUAL POLKA | Edith/LEAD | AMERICAN THEATER OF ACTORS, NYC/Dir. James Crafford |
| STAGE DOOR | Terry Randall/LEAD | CHELSEA REP., NYC/Dir. John Grabowski |
| DOUBLES CROSSED: THE BALLAD OF RODRIGO | Trina/LEAD | FUNNY...SHEESH, NYC/Dir. Amber Gallery |
| KIT & DABNEY | Kit/LEAD | THE SECRET THEATRE, NYC/Dir. Michelle Karst |
| A LETTER | Two/LEAD | NEW LIGHT THEATER, NYC/Dir. John Grabowski |
| SWEATING BULLETS | Abby/LEAD | STRIKE 38!, NYC/Dir. Michelle Karst |
| THE TRAGEDY OF TUPAC | Tabitha Soren/LEAD | BLACK SPECTRUM THEATER, NYC/Dir. Valerie Donaldson |
| SPOON RIVER | VARIOUS/LEAD | LAB THEATRE 54, NYC/Dir. John Grabowski |
| DEPARTMENT OF TRANSPORT | Sheila Carey/LEAD | LAB THEATRE 54, NYC/Dir Angelow Berkowitz |
| BY HANDS UNKNOWN | VARIOUS/LEAD | NYC FRINGE FESTIVAL/Dir. Kym Gomes |
Internet | ||
| DEPENDENCE | SUPPORTING | WEB SERIES/Dir. Cris Thorne |
| DEAD MAN'S BLOOD | GUEST STAR | WEB SERIES/Dir. Kenneth Price |
Training | ||
| 2 YEAR MEISNER CONSERVATORY | THE ACTING STUDIO NY | JAMES PRICE & JOHN GRABOWSKI |
| MONOLOGUE TECHNIQUE | ATLANTIC THEATER CO. | KAREN KOHLHAAS |
| ACTING ON CAMERA | THE ACTING STUDIO NY | MATTHEW BONIFACIO |
| COMMERCIAL TECHNIQUE | DAVID CADY | |
| VOICEOVER TECHNIQUE | ROGER BECKER | |
| ACTING SHAKESPEARE | THE NEIGHBORHOOD PLAYHOUSE | SEAN HAGERTY |
| VOICE & SPEECH | THE ACTING STUDIO NY | MARY WORKMAN |
| VOICE (SINGING) | LIC ACADEMY OF MUSIC | OLIVER SOHNGEN |
| STAGE COMBAT | THE ACTING STUDIO NY | TURNER SMITH |
| BA, CUM LAUDE, HISTORY | BOSTON COLLEGE | |
Skills | ||
| PIANO; READING SHEET MUSIC; BASIC FRENCH; BAR METHOD WORKOUT; BASIC TENNIS; NJ DRIVERS LICENSE; DIALECTS (STANDARD AMERICAN ENGLISH, AMERICAN SOUTHERN, IRISH, BRITISH, BULGARIAN, RUSSIAN)) |