Hannah Roze
Appearance
| Gender | Female |
| Pronouns | |
| Height | 5' 1'' |
| Body Type | Athletic |
| Weight | 115 |
| Hair color | Black |
| Hair length | Long |
| Eyes | Green |
| Age range | 15-19, 20-24, 25-29 |
| Ethnic appearance | Caucasian, Middle Eastern, Other |
| Trained Singing Voice | Yes |
| Representation |
SW ARTISTS
Margaret Emory and Sue Winik sw.artists@yahoo.com margaret.swartists@gmail.com (646) 246-8853 |
About Me
NYU Tisch grad, & dual citizen of the US & UK. My favorite film credit is THE DISENCHANTMENT. We premiered at the Oscar-Qualifying Hollyshorts FF; & are distributed in 162 countries with ShortsTV.
My film's website! http://www.thedisenchantment.com/
More
Hannah Roze Reel
Film | ||
| EAT | Becca (lead) | Wild Obscura Films/Nora Unkel |
| Unsustainable AF | Cameron | Hysterical Female Productions/Parker Damm |
| Just One Look | Carmen (Lead) | Cyne Productions/Viktoria Isabella King |
| Senior Escort Service | figment of Shaina's imagination | Shortbits/Shaina Feinberg |
| Let Me Go | Lenni (lead) | Cyne Productions/Viktoria Isabella King |
| The Disenchantment of a Young Adult and a Wild Child | Hazel (lead) | Wild Obscura Films/Caryn Waechter |
| War & Peace | Natasha (lead) | Wild Obscura Films/Nora Unkel |
| Summer | Rivka | Palinka Pictures/Pearl Gluck |
| Haunted | Rebecca Ward (supporting) | Bad Genie Films/Backlash Productions/Katie Ennis |
Theater | ||
| The Bloody Deed of 1857 | Shadow Actress 2 (Augusta Cunningham, Dimis Hubbard, Mary Donahoe, and Charlotte Worthington) | Colonnade Row/Harold Heno and Elise Gainer/*immersive Off-Broadway |
| The Final Days of Vincent Van Gogh | Marie (supporting) | Chernuchin Theater/ *Off-Broadway* |
| Pass/Fail | Sari (supporting) | The Brick/Trans Theatre Festival/Donnie Cianciotto |
| Life and Other Disasters (reading) | Hayley (lead) | Stella Adler Studios/Christa Kimlicko Jones |
| Abraham's Daughters | Racie (supporting) | Urban Stage's Lady Liberty Festival/Lorca Peress |
| Chain Reaction (reading) | Georgette (supporting) | The Cherry Lane Theater/Joy Behar |
| People Like That | Maeve (lead) | Manhattan Repertory Theatre/Lisa Purrone |
| The Place We Built | Aniko Nemeth (lead) | Clifford Odets Playwriting Commission/Portia Krieger |
| If on a Winter's Night... | Marcel/Homunculus | Everyday Inferno Theatre Co./Christine Zagrobelny |
| The Bitter Tears of Petra von Kant | Sidonie von Grasenabb (supporting) | Strasberg-NYU Tisch/Louisa Proske |
| The Julius Caesar Project | Cicero | New Studio On Broadway |
Training | ||
| NYU Tisch | BFA in Drama | |
| Stonestreet Studios | Ted Sluberski | |
| Vance Barber | ||
| The Lee Strasberg Theater and Film Institute Masterclasses | Vincent D'Onofrio | |
| Marci Phillips | ||
| Laura Savia | ||
| The Lee Strasberg Theater and Film Institute | Geoffrey Horne | |
| Irma Sandry | ||
| Lola Cohen | ||
| New Studio on Broadway | Michele Shay | |
| Orlando Pabotoy | ||
| Stage Combat | J. David Brimmer | |
| J. Allen Suddeth | ||
| Private Singing | Anastasia Ellana Swope | |
| Summer Theater Institute of NYC | (summer intensive housed by Juilliard) | Allyn Sitjar |
Skills | ||
| NJ Driver's License (Automatic) | ||
| Stage Combat: Smallsword, Sword and Shield, Knife, Quarterstaff, Rapier Dagger, Unarmed, Single Sword, and Broadsword; Beginner Eskrima and Capoeira Martial Arts | ||
| Accents/Dialects: British (RP,) Cockney, Irish, French | ||
| Singing (alto/mezzo-soprano) | ||
| Dance: Jazz, Lyrical | ||
| Visual Arts: Photography, painting, drawing | ||
| Sports: Softball Pitcher (7 pitches,) Competitive Swimmer (9 years on the NJ Wave) | ||
| Tarot Card Readings |