Sarah Eismann
Appearance
| Gender | Female |
| Pronouns | she / her / hers |
| Height | 5' 8'' |
| Body Type | Athletic |
| Weight | 150 |
| Hair color | White/Grey |
| Hair length | Short |
| Eyes | Brown |
| Age range | 30-34, 35-39 |
| Ethnic appearance | Caucasian |
| Trained Singing Voice | Yes |
About Me
I am your high morals feminist lawyer by day turned activist protestor by night. I will save your grandma in the ER while reciting Shakespeare. Valid US Passport, local hire NY, LA, Atlanta.
Website saraheismann.com
More
Sarah Eismann Actor Reel 1
Film | ||
| (selected) | ||
| RICHARD III | Lead / Clarence | Dir. Jennifer Dean |
| REVO | Supporting | Dir. John Reed |
| BEAUTY IN THE BREAKDOWN | Supporting | Dir. Ryan Lensman |
| CANARY | Supporting | Dir. Alejandro Adams |
| PERSISTENCE OF VISION | Supporting | Dir. Claire Adas |
Theater | ||
| NEW YORK THEATRE (selected) | ||
| RABBIT HOLE / Dir. Maria Provenzano | Becca | City Island Theatre Company |
| MACBETH / Dir. Jon Dalin | Lady Macbeth | Snapped Productions |
| AL'UKHRAA: A STUDY IN OTHELLO / Dir. Sarah Eismann | Iago | Manhattan Shakespeare Project |
| THE TAMING OF THE SHREW / Dir. Kate Holland | Petruchio | Manhattan Shakespeare Project |
| NO PROVENANCE / Dir. Kate Holland | Marion | NY Int’l Fringe Festival |
| ROMEO AND JULIET / Dir. Reesa Graham | Romeo | Manhattan Shakespeare Project |
| MUCH ADO ABOUT NOTHING / Dir. Jimmy Maize | Friar Francis | Classic Stage Company |
| REGIONAL THEATRE (selected) | ||
| HENRY VI PART 2 / Dir. Robert Estes | Queen Margaret | Subterranean Shakespeare |
| COMEDY OF ERRORS / Dir. Rebecca J. Ennals | Dromio(s), Luce | San Francisco Shakespeare Festival |
| LONG DAY’S JOURNEY INTO NIGHT / Dir. Jeanie Forte | Cathleen | Pear Avenue Theatre |
| SHAKESPEARE IN HOLLYWOOD / Dir. William J. Wolak | Olivia | The Western Stage |
| THE WOMEN / Dir. Lee Sankowich | Nancy | Center Repertory Company |
| ALL’S WELL THAT ENDS WELL / Dir. Lisa Peterson | Helena | California Shakespeare Theatre |
Commercials | ||
| COMMERCIALS & PRINT CONFLICT | AVAILABLE UPON REQUEST | |
Training | ||
| MFA ACTING | Columbia University | School of The Arts |
| BFA DRAMA | New York University, Tisch School of The Arts | Playwrights Horizons Theatre School |
| SHAKESPEARE & COMPANY | Lenox, MA | Month Long Intensive |
| TEATR PIEŚŃ KOZŁA | Wrocław, Poland | Acting Techniques Intensive |
| NATIONAL THEATRE CONSERVATORY | Denver, CO | Summer Intensive |
| ROYAL ACADEMY OF DRAMATIC ARTS | London, England | Shakespeare in Performance |
| VOICE/SINGING | Kristin Linklater, Andrea Haring | Nori Nkeaka, Jack Eppler |
| BIOMECHANICS | Niky Wolcz | |
| STAGE COMBAT | Qui Nguyen | |
| VIEWPOINTS | Barney O’Hanlan | |
| DANCE | 20+ yrs | various companies |
| ON CAMERA | Marci Phillips | |
Skills | ||
| Improv, Puppeteer, Juggling, Advanced Whistler, Can Move Eyes In Two Different Directions | ||
| STAGE COMBAT: Unarmed, Rapier, Broad Sword, Morning Star | ||
| INSTRUMENTS: Percussion, Trumpet, Recorder, Singing | ||
| DANCE: Swing, Ballet, Tap, Jazz, Salsa, Modern | ||
| ACCENTS/DIALECTS Standard British, Southern, Cockney, Russian, Australian, Brooklyn | ||
| LOCAL HIRE: New York, LA, Atlanta, Valid US Passport |