Adam Hyland
Appearance
| Gender | Male |
| Pronouns | |
| Height | 6' |
| Body Type | Athletic |
| Weight | 170 |
| Hair color | Brown |
| Eyes | Green |
| Age range | 30-34, 35-39 |
| Ethnic appearance | Caucasian |
| Unions | SAG, AFTRA |
About Me
I used to raise my hand first to lead off story time in the library; I had a weird obsession with narration and punctuation. If Tom Sadoski turns down the role, I'm your guy.
An accidental first date could lead to happily ever after
Film | ||
| New Match | Lead | Collin Kornfeind, dir. |
| Scholarship | Lead | Vinny Lopez, dir. |
| Wishing, Well | Lead | Ian McCabe, dir. |
| Four Down | Lead | Dylan Tuccillo, dir.; Candlefly Productions |
| Nasophilia | Lead | Dylan Tuccillo, dir.; Candlefly Productions |
| The Man in the Attic | Lead | Joseph Parker, dir.; Casa de Luz Productions |
| Some Things Vanish | Lead | Liam Brady, dir.; Thread Pictures |
| A NY Thing | Club Patron | Olivier Lecot, dir.; Anything Productions |
| Reunion 108 | Disinterested Teammate | James Suttles, dir.; Carms Productions |
Internet | ||
| Ghost Toast | Lead | Shira Danan, dir.; Funny or Die |
| The Pursuit of Sexiness | Bartender | Todd Bieber, dir.; UCB Comedy |
| World Trade Center 4 | Corporate Professional | Silverstein Properties; Why Four Productions |
| NBC The Feast | Restaurant Patron | NBC Universal; Mother Productions |
Television | ||
| Unfaithful: Stories of Betrayal | Lead | Oprah Winfrey Network; True Entertainment |
| Dinner Date | Self | Ep. FLDDT 106; Nancy Glass Productions |
Commercials | ||
| Duracell Powermat | Office Worker | Manu Boyer, dir.; Brazen Productions |
| High Beams | Self | Sheldon Richman, dir.; Richman Films |
Theater | ||
| The Sublet Experiment | Noah "Eric" Rowland | Michelle Tattenbaum, dir.; Sublet Experiment, Inc. |
| Self-Portrait as Schiele | Marc Blumen, MD | Gerritt Turner, dir.; FringeNYC |
| Group | Kelson Overland | Heidi Handelsman, dir.; FringeNYC |
| Dream Ticket | Thomas Stevenson | Kristin Skye Hoffman, dir.; FringeNYC |
| Filler | Benny | William Goulet, dir.; 64E4 Mainstage |
| Hinterland | The Drunk | Amanda Friou, dir.; Ars Nova |
| Angels in America | Prior Walter | William Morris, dir.; SAB Mainstage |
| The Tempest | Ferdinand | Karey Faulkner, dir.; The Heritage Theatre |
| Harvey | Lyman Sanderson, MD | Lucille O'Connor Hood, dir.; Vpstart Crow |
| The Government Inspector | Khlestakov | Stephen Fried, dir.; Round House Theatre (reading) |
| And How Silly It Is | Jim | Marina McClure, dir.; Kennedy Center Millennium Stage |
Training | ||
| Scene Study; On-Camera II | Terry Schreiber Studio | Terry Schreiber; Peter Miner |
| Principles of Realism; Character & Emotion | The Studio Theatre Acting Conservatory | Serge Seiden; Kate Debelack |
| Acting | Woolly Mammoth Theatre School | Martin Blank |
Other | ||
| WVBR News | On-Air Reporter | Ithaca, NY, 1998-1999 |
Skills | ||
| Tennis, Yoga, Bartender, Parallel Parking Extraordinaire | ||
| Valid Driver's License, US Passport | ||
| Local Hire: NYC, LA, SF, DC, MN |