J.G. Smith
Appearance
Gender | Female |
Pronouns | She/her/hers |
Height | 5' 4'' |
Body Type | Thin |
Weight | 110 |
Hair color | Red |
Hair length | Short |
Eyes | Green |
Age range | 15-19, 20-24, 25-29 |
Ethnic appearance | Caucasian |
Trained Singing Voice | Yes |
Unions | EQUITY |
Representation |
Paonessa Talent Agency (Theatrical)
Marisa Paonessa 1512 N Fremont Street Suite 105 Chicago, IL 60642 Phone: (773) 360-8749 Email: pta.clientrequests@gmail.com Paonessa Talent Agency (Commercial) Deven Hartley 1512 N Fremont Street Suite 105 Chicago, IL 60642 Phone: (773) 360-8749 Email: pta.clientrequests@gmail.com |
About Me
Actor and performance artist. American Blues Theater Ensemble. NYC/CHI. “Ms. Smith is a star.” - BroadwayWorld
Website http://www.jgsmithactor.com/
More
J.G. Smith Theatrical Reel
Film | ||
The Dancing Monkey (2023) | Principal | All The Way Around Prods., dir. Chandler Wild |
Knives and Skin | Principal | IFCMidnight, dir. Jennifer Reeder |
Dreaming Grand Avenue | Principal | Music Box Films, dir. Hugh Schulze |
Hire Me Spielberg | Principal | TroutFilm, dir. Barbara Begley |
Pry Me Open | Principal | CinemaLab, dir. Stephen Cone |
Television | ||
The World's Astonishing News! | Guest Star | NTV, dir. Hideki Kobayashi |
Internet | ||
Short Comings | Guest Star | MTVOther, dir. Daniel Jaffe |
Dorm Therapy | Lead | Riley Hall Prods. dir. Jo-Dean Roark and Adam Carey |
Theater | ||
It’s A Wonderful Life: Live in Chicago! | Foley/Ensemble | American Blues, dir. Gwendolyn Whiteside |
I and You | Caroline | Peninsula Players, dir. Elizabeth Margolius |
Mother of the Maid | Joan | Northlight, dir. BJ Jones |
Plantation! | Kayley | Lookingglass, dir. David Schwimmer |
On Clover Road | Angela | American Blues, dir. Halena Kays |
The Art of Sisters | Emily Bronte/Catherine Earnshaw | Vision Productions, dir. Miriam Canfield |
MARYSHELLEYSHOW | Mary Shelley | Nat'l Tour, ChiFringe, The Tank, dir. Caroline Faustine |
Peter and the Starcatcher | Molly Aster | City Equity Theatre, dir. Michael Flowers |
As You Like It | Celia | Alabama Shakespeare Festival, dir. Greta Lambert |
Alice in Wonderland | Alice | Alabama Shakespeare Festival, dir. Nancy Rominger |
A Christmas Carol | Fan/Caroler | Alabama Shakespeare Festival, dir. Diana Van Fossen |
King Lear | Herald (u/s Cordelia) | Alabama Shakespeare Festival, dir. Geoffrey Sherman |
Censored on Final Approach | Mary O'Connor | the GYM at Judson, dir. Colleen Britt |
The School For Lies | Eliante | Boxed Wine Prods, dir. Lauren Erwin |
As I Lay Dying (workshop) | Dewey Dell | Live Source Theatre Group, dir. Tyler Mercer |
Eden Prairie, 1971 (reading) | Rachel | Goodman, dir. Henry Wishcamper |
The Thanksgiving Play (reading) | Logan | American Blues, dir. Elyse Dolan |
Romeo and Juliet (reading) | Mercutio | Shakespeare Project, dir. Michelle Shupe |
Pericles, Prince of Tyre (reading) | Marina | Shakespeare Project, dir. J.R. Sullivan |
Love's Labour's Lost (reading) | Maria | Shakespeare Project, dir. Barbara Zahora |
Training | ||
Acting | New York University | |
Stella Adler Studio | ||
Shakespeare | RADA | Julian Glover, et al |
On-Camera | Stonestreet Studios | Chris Modoono, Zach Galligan, Jen McCabe |
Aesthetic Education Bootcamp | Steppenwolf Theatre | Jared Bellot, Abhi Shrestha |
Audition Technique | Stonestreet Studios | Ted Sluberski, Michal Zecher |
Audition Technique | Acting Studio Chicago | Claire Simon |
CinemaLab | Acting Studio Chicago | Stephen Cone |
Acting for Commercials | One on One NYC | Stacy Gallo |
Indie Film Intensive | One on One NYC | Misha Calvert |
Skills | ||
Accents (RP, Cockney, Scottish, Irish, Midwestern, Southern) | ||
Vocal Range Alto-Soprano | ||
Stage Combat (fencing/rapier, knife, unarmed) | ||
Driver's License (Illinois) |