J.G. Smith
Appearance
| Gender | Female |
| Pronouns | She/her/hers |
| Height | 5' 4'' |
| Body Type | Thin |
| Weight | 110 |
| Hair color | Red |
| Hair length | Short |
| Eyes | Green |
| Age range | 15-19, 20-24, 25-29 |
| Ethnic appearance | Caucasian |
| Trained Singing Voice | Yes |
| Unions | EQUITY |
| Representation |
Paonessa Talent Agency (Theatrical)
Marisa Paonessa 1512 N Fremont Street Suite 105 Chicago, IL 60642 Phone: (773) 360-8749 Email: pta.clientrequests@gmail.com Paonessa Talent Agency (Commercial) Deven Hartley 1512 N Fremont Street Suite 105 Chicago, IL 60642 Phone: (773) 360-8749 Email: pta.clientrequests@gmail.com |
About Me
Actor and performance artist. American Blues Theater Ensemble. NYC/CHI. “Ms. Smith is a star.” - BroadwayWorld
Website http://www.jgsmithactor.com/
More
J.G. Smith Theatrical Reel
Film | ||
| The Dancing Monkey (2023) | Principal | All The Way Around Prods., dir. Chandler Wild |
| Knives and Skin | Principal | IFCMidnight, dir. Jennifer Reeder |
| Dreaming Grand Avenue | Principal | Music Box Films, dir. Hugh Schulze |
| Hire Me Spielberg | Principal | TroutFilm, dir. Barbara Begley |
| Pry Me Open | Principal | CinemaLab, dir. Stephen Cone |
Television | ||
| The World's Astonishing News! | Guest Star | NTV, dir. Hideki Kobayashi |
Internet | ||
| Short Comings | Guest Star | MTVOther, dir. Daniel Jaffe |
| Dorm Therapy | Lead | Riley Hall Prods. dir. Jo-Dean Roark and Adam Carey |
Theater | ||
| It’s A Wonderful Life: Live in Chicago! | Foley/Ensemble | American Blues, dir. Gwendolyn Whiteside |
| I and You | Caroline | Peninsula Players, dir. Elizabeth Margolius |
| Mother of the Maid | Joan | Northlight, dir. BJ Jones |
| Plantation! | Kayley | Lookingglass, dir. David Schwimmer |
| On Clover Road | Angela | American Blues, dir. Halena Kays |
| The Art of Sisters | Emily Bronte/Catherine Earnshaw | Vision Productions, dir. Miriam Canfield |
| MARYSHELLEYSHOW | Mary Shelley | Nat'l Tour, ChiFringe, The Tank, dir. Caroline Faustine |
| Peter and the Starcatcher | Molly Aster | City Equity Theatre, dir. Michael Flowers |
| As You Like It | Celia | Alabama Shakespeare Festival, dir. Greta Lambert |
| Alice in Wonderland | Alice | Alabama Shakespeare Festival, dir. Nancy Rominger |
| A Christmas Carol | Fan/Caroler | Alabama Shakespeare Festival, dir. Diana Van Fossen |
| King Lear | Herald (u/s Cordelia) | Alabama Shakespeare Festival, dir. Geoffrey Sherman |
| Censored on Final Approach | Mary O'Connor | the GYM at Judson, dir. Colleen Britt |
| The School For Lies | Eliante | Boxed Wine Prods, dir. Lauren Erwin |
| As I Lay Dying (workshop) | Dewey Dell | Live Source Theatre Group, dir. Tyler Mercer |
| Eden Prairie, 1971 (reading) | Rachel | Goodman, dir. Henry Wishcamper |
| The Thanksgiving Play (reading) | Logan | American Blues, dir. Elyse Dolan |
| Romeo and Juliet (reading) | Mercutio | Shakespeare Project, dir. Michelle Shupe |
| Pericles, Prince of Tyre (reading) | Marina | Shakespeare Project, dir. J.R. Sullivan |
| Love's Labour's Lost (reading) | Maria | Shakespeare Project, dir. Barbara Zahora |
Training | ||
| Acting | New York University | |
| Stella Adler Studio | ||
| Shakespeare | RADA | Julian Glover, et al |
| On-Camera | Stonestreet Studios | Chris Modoono, Zach Galligan, Jen McCabe |
| Aesthetic Education Bootcamp | Steppenwolf Theatre | Jared Bellot, Abhi Shrestha |
| Audition Technique | Stonestreet Studios | Ted Sluberski, Michal Zecher |
| Audition Technique | Acting Studio Chicago | Claire Simon |
| CinemaLab | Acting Studio Chicago | Stephen Cone |
| Acting for Commercials | One on One NYC | Stacy Gallo |
| Indie Film Intensive | One on One NYC | Misha Calvert |
Skills | ||
| Accents (RP, Cockney, Scottish, Irish, Midwestern, Southern) | ||
| Vocal Range Alto-Soprano | ||
| Stage Combat (fencing/rapier, knife, unarmed) | ||
| Driver's License (Illinois) |